Search results for "medieval Catalan literature"

showing 10 items of 11 documents

Joan Roís de Corella, Lamentació de Mirra, de Narciso, de Píramus i Tisbe: edizione critica

2016

Il contributo, che è un’anticipazione parziale dell’edizione critica integrale delle narrazioni mitologiche di Joan Roís de Corella (XV sec.) per Barcino (ENC), nasce dall’esigenza di rivedere la situazione testuale della faula in oggetto (Lamentació de Mirra, de Narciso, de Píramus i Tisbe) e di avanzare, dove necessario, nuove proposte di lettura. Esso consta di due parti, delle quali la prima contiene l’Introduzione, la seconda il Testo con note a piè di pagina, in cui si discutono questioni relative alla constitutio textus, l’Apparato e l’Apparato complementare. Nell’Introduzione si danno informazioni essenziali circa la tradizione manoscritta delle Lamentacions (altrimenti note come Lo…

HistoryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryLamentacionFilologíasmedia_common.quotation_subjectJoan Roís de CorellaMedieval Catalan literatureArtOtras filologías modernasCritical editioncritical editionOvid in the Middle Ages.:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]mythological narrativeMedieval Catalan literature; Joan Roís de Corella; mythological narratives; Lamentacions; critical edition; Ovid in the Middle AgesHumanitiesmedia_commonMagnificat Cultura i Literatura Medievals
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«Enrique de Villena y Curial e Güelfa»

2018

Enrique de Villena (1384-1434), noble aficionado a las letras, autor bilingüe en catalán y castellano, residente algunos años (ca. 1416-1429) de manera intermitente en la corte valenciana de Alfonso V de Aragón y Juan de Navarra, influyó en el concepto de literatura del autor de la novela caballeresca Curial e Güelfa (Enyego d’Àvalos?), escrita en catalán (Nápoles-Milán, c. 1445-1448) y relacionable con la corte italiana del Magnánimo. El Curial presenta conexiones intertextuales con la obra de Villena, además de hápax y neologismos compartidos. Su autor conoció, sin duda, Los dotze treballs d’Hèrcules (Valencia, 1417) y parodió errores mitográficos de la Eneida romanceada, glosada y morali…

Curial e GüelfaEnyego d’ÀvalosLiterature and Literary TheoryAllegoryHapax legomenonLiteratura catalana medievalEneida glosadaHumanidadesMedieval Catalan literaturelanguage.human_languageValencianHumanitiesGlossed AeneidHUMANIDADESCatalan literatureLiteraturelanguageLiteraturaCatalanHUMANITIESHumanitiesNeologismEnrique de VillenaRevista de Literatura Medieval
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Producción y difusión digitales de las humanidades no vanguardistas en el siglo XX: el ejemplo de la filología catalana medieval

2014

Aquest article ofereix un panorama històric dels formats digitals emprats al segle XX en un petit camp de les Humanitats: la filologia catalana medieval, com a exemple de moltes altres àrees de recerca similars, no avantguardistes, i centrades en estudis textuals. S'hi mostra que la gestió textual i de vocabulari, així com les bades de dades lèxiques i bibliogràfiques, van constituir els seus primers projectes. L'article conclou amb una brevíssima valoració dels desafiaments digitals en el futur immediat, especialment en eines de publicació: pdf front a epub, i l'accelerat procés de compartir la recerca més recent a través de les xarxes socials d'investigadors. S'hi defén la via de la cultu…

Acceso abiertoUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:CIENCIAS TECNOLÓGICAS [UNESCO]UNESCO::HISTORIAVisibilidadhistory of digital repertoriesmedieval catalan literatureopen cultureOpen accessUNESCO::CIENCIAS TECNOLÓGICAShistory of digital concordanceshistory of databases in the humanitieshistory of digital research:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]digital humanities:HISTORIA [UNESCO]Humanidades digitales
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Les anotacions marginals al «De amore» català

2007

A new, philological edition of the marginal notes in Andreas Capellanus’ «DeAmore’s» medieval Catalan translation, uniquely preserved in Real Biblioteca de Madrid’s manuscript II-3096 (I), accompanied by transcriptions of the sentence or paragraph which each note refers to. These notes are thematically classified in four groups and described so as to outline their medieval annotator’s main interests.

lcsh:Language and LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologíasHistory of ideasMedieval Catalan literatureLower Middle Ageslcsh:Philology. Linguisticslcsh:P1-1091History of culturethe Medieval idea of human love:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]History of educationlcsh:PMedieval Catalan literature; History of culture; Lower Middle Ages; History of ideas; the Medieval idea of human love; History of education; erotodidactismerotodidactism
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Con li suoi vestimenti asciugare il morto viso della salata acqua, e bagnarlo di molte lagrime: la "Fiammetta" en el "Leànder y Hero" de Roís de Core…

2005

The «Elegia di madonna Fiammetta» has an evident impact of the story of Leandre and Hero, especially in the moments in which the lady suffers while waiting for her lover, who never comes. Fiammetta makes obvious this parallelism on several occasions, and manages to invent an end for the story loaded of pathos. Joan Roís de Corella realises about this relationship between both two works and makes the inverse path: he uses the tone and some narrative elements of the Elegia for writing his Leander and Hero. It is demonstrated that the so contreversial end of Corella’s story is not original of the Valencian, but it also depends on Boccaccio’s text

lcsh:Language and LiteratureLeandre i HeroUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologíasJoan Roís de CorellaBoccaccioElegia di madonna Fiammettamedieval Catalan literaturecomparative literaturemedieval Catalan literature; Joan Roís de Corella; Boccaccio; comparative literaturelcsh:Philology. Linguisticslcsh:P1-1091Roís de Corella Joan:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Filología RománicaTirant lo Blanclcsh:PFilología Catalana
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David Rosenthal’s Tirant lo Blanc turns 30

2014

The groundbreaking English language translation of Tirant lo Blanc by New York poet and academic David Rosenthal remains dominant three decades after its initial, and celebrated, release. Rosenthal’s controversially fluid and concise rendering of the Valencian classic survived a serious challenge 20 years ago by a more literal version from a well-meaning amateur translator and journeyman academic backed by a leading U.S.-based Catalan scholar. The article reviews the controversy and compares the two versions, adding comments from some of the key critics. La traducció capdavantera a l’anglés del Tirant lo Blanc, feta pel poeta i erudit de Nova York, David Rosenthal, continua mantenint la seu…

Historytranslation catalan-englishLiterature and Literary Theorymedia_common.quotation_subjectlcsh:Literature (General)lcsh:D111-203lcsh:Medieval historyEnglish languageLanguage and LinguisticsValencianTirant lo Blancmedia_commonLiteraturebusiness.industrymedieval catalan literatureDavid RosenthalArtlcsh:PN1-6790language.human_languagelcsh:D204-475languageCatalanPerformance artbusinessAmateurHumanitiesClassicslcsh:Modern history 1453-Scripta: Revista Internacional de Literatura i Cultura Medieval i Moderna
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«Axí com...» Le comparazioni nella lirica di Jordi de Sant Jordi

2005

Jordi de Sant Jordi uses more than thirty comparisons in his lyric poetry. These may be classified on the basis of their typology and semantic functions: true comparisons (where two elements are compared by means of a connector, the first being defined as ‘real’ and corresponding to the situation of the lyric persona, the second, figurative, presenting in metaphorical terms the same characteristics as the first element); comparisons between the ‘real’ situation and that of an unspecified human being, to which reference is made by means of the demonstrative ‘the one’ («axí com cell...»); hyperbolic comparisons, where the ‘real’ element is given hyperbolically as having to the same or to a gr…

lcsh:Language and LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologíastypology and semantic functions of comparisonsJordi de Sant Jordimedieval Catalan literaturelcsh:Philology. Linguisticslcsh:P1-1091Comparazionilirica catalana«abbreviated priamel»:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]lcsh:Pmedieval Catalan literature; Jordi de Sant Jordi; typology and semantic functions of comparisons; «abbreviated priamel»
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El denominat 'estil afectiu' en la Vita Christi d'Isabel de Villena

2013

Estudi de la consideració de la prosa d'Isabel de Villena com a "afectiva" per la crítica literària al llarg dels segles. Se sosté que aquesta prosa no és més afectiva que la de la resta de vitae Christi. Es presenta una catalogació de l'ús de diminutius en aquesta autora, i es mostra que en va fer un ús molt més escàs que no es pensava abans. A study of the consideration of Isabel de Villena's prose as "affectionate" by the literary critics throughout the ages. It is maintanied that her prose is no more affectionate than the rest of vitae Christi's. A cataloguing of the use of diminutives by Villena is presented, and shown that she used diminutives much more scarcely that was believed befo…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASIsabel de Villenamedieval vitae ChristiUNESCO::HISTORIArhetoricmedieval women writersmedieval Catalan literaturediminutivesCatalan literary historiography:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Women and Gender Studies Med:HISTORIA [UNESCO]history of womenconstructions of femininity
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El debat pro i antifeminista a la literatura catalana medieval

1987

This 1987 PhD dissertation, was de facto supervised by professors Lola Badia (Universitat de Barcelona) and Alan Deyermond (Queen Mary University of London), although, because of legal limitations at that time, supervision was officially signed by another professor). This was a pioneer work in the field of women’s studies, particularly in the so-called “querelle des femmes”, although, as the dissertation study specifies, this label would only become known as such in post-medieval times. This work, then, does not deal with all misogynistic references in the whole corpus of medieval Catalan literature (that would be quite impossible in one publication), but only with those texts arguing for o…

medieval Latin literatureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASQuerelle des femmesIsabel de VillenaCerverí de GironaJaume Roig:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]women’s studies; Querelle des femmes; debate for and against women; medieval Catalan literature; medieval French literature; medieval Latin literature; Cerverí de Girona; Bernat Metge; Isabel de Villena; Jaume RoigBernat Metgewomen’s studiesmedieval Catalan literaturedebate for and against womenmedieval French literature
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Joan Roís de Corella, La Istòria de Leànder y Hero: edizione critica con studio introduttivo

2018

This contribution is a further partial anticipation of the critical edition of the mythological faules of Joan Roís de Corella (15th century) for Barcino (ENC), after that appeared in Magnificat, vol.3, 2016. It focuses on one of the author's most mature and significant faules, as well as one of the most prestigious testimonies both of the presence of the myth of Ero and Leandro in the Iberian 15th century, and of the peninsular reception of the Heroides. The paper consists of two parts. In the first part, Introduction, the current situation of the studies related to the Istòria is first summarized. Next, the analysis of the literary memory that supports the discursive construction of the f…

LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLiterature and Literary Theorybusiness.industrymedia_common.quotation_subjectJoan Roís de CorellaMedieval Catalan literatureMythologyArtCritical editioncritical editionMedieval Catalan literature; Joan Roís de Corella; mythological narratives; Leander and Hero; critical edition; medieval Ovid.Ovid in the Middle Ages.:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]mythological narrativeHEROInventionEro and LeandrobusinessMirroringmedia_common
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